The VistaVision camera was meant to provide an easy widescreen process that emphasized quality above all else, while still making that quality accessible to as many movie goers as possible.Īnd it accomplished that, with movies like 3 Ring Circus (1954), Richard III (1955), The Ten Commandments (1956), The Searchers (1956), Funny Face (1957), and many others. Esta apuesta consistió en rodar en formato académico (1.37:1), pero proyectar con una relación de aspecto de 1.
This required special equipment that most theaters were not going to house, especially since it was impractical and prone to problems.īut Paramount was not trying to make Vista Vision movies that could only be screened in select theaters. It was also one of the few VistaVision films that had 8-perforation prints made for special engagements that could present the movies in their original format (horizontal VistaVision prints vs regular vertical 35mm). When stretched, a 2x anamorphic lens used with standard 35mm film yields a 2.39:1 aspect ratio, commonly referred to as CinemaScope, or simply 'Scope. 2.00:1 - SuperScope, Recently popularized by the Red Digital Cinema Camera Company. The first of the VistaVision films was White Christmas (1954), and it was a wild success. Traditionally, anamorphic lenses have a 2x squeeze, meaning that lenses capture twice the amount of horizontal information than a spherical lens. 1.85:1 US and UK widescreen standard for theatrical film. How would this brand new frame affect the way films are made Well, filmmakers had two options. It was more commonly cropped to between 2.35 and 2.4 to allow room for an obstacle soundtrack. When used with an open gate, it yielded an aspect ratio of 2.66. Vista Vision Movies The rise and fall of Vista Vision CinemaScope lenses had a squeeze factor of two. In addition to the movies not having the distortion of anamorphic, VistaVision provided an option for filmmakers and theaters that wanted a widescreen experience that didn’t sacrifice height or width and could be easily presented nationwide. When providing prints for theaters, nothing special was required, as the movies would be copied onto regular 35mm film that could be shown at any theater that had a widescreen (which, by 1954, was most of them).
0 kommentar(er)
